By Lewis Foreman Day
It is a iteration Of the unique 1910 variation.
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Additional resources for Alphabets old and new
D. 181. MODERN ROMAN MAJUSCULE AND MINUSCULE. Roland W. Paul, J. Smith. — By B. Waldram. Serlio. Waldram. Penwork. architect. 182. modern rather gothic capitals—Penwork. R. K. Cowtan. 183. modern majuscule and minuscule, approaching hand. 184. to running R. K. Cowtan. modern majuscule and minuscule —R. K. Cowtan. xxv Descriptive List of Illustrations. 185. modern italic capitals — By Walter West. delicacy of Mr. West's beautiful Much penmanship of the unfor- is tunately lost in the process reproduction.
More or less suddenly the tails of sundry letters break insubordinate from the ranks; and the ex; tremities mented are often foliated or otherwise orna- Markedly characteristic of Gothic of the 13th and 14th centuries are also the " closed " letters, of which examples occur in (66, 69, 71). Alphabets 76, jj, 78, 80, What are called not only as In fact, it etc. Lombardic capitals were used, but for inscriptions throughout. was not until the 15th century that initials, Art in 22 In Alphabet commonly inscriptions were letters.
F. D. if this xxvi 197. Descriptive List of Illustrations. modern gothic ribband alphabet 198. — Engraved on brass, Adapted from Otto Hupp. the ground cross-hatched. modern capitals drawn with a continuous line, such as a cord " couched " upon velvet would naturally take, and suitable, therefore, for that form of embroidery. The flowing line is here as much dictated by the conditions as the square and angular forms of the letters following the mesh of the canvas in 200. This alphabet might equally well be traced with a full brush, and so executed in paint or gesso.
Alphabets old and new by Lewis Foreman Day