Lincoln Goines, Robby Ameen's Afro-Cuban Grooves for Bass and Drums PDF

By Lincoln Goines, Robby Ameen

Designed for drummers and bass avid gamers, this book/CD lays out a step by step method of combining Afro-Cuban rhythms with rock, funk and jazz.

Show description

Read Online or Download Afro-Cuban Grooves for Bass and Drums PDF

Best instruments books

Mel Bay Guitar Setup, Maintenance & Repair - download pdf or read online

This consultant will use photos, diagrams and sketches made via the writer and a few supplied by way of a variety of brands to coach the way to fresh, , modify the motion and correctly intonate your acoustic guitar, in addition to: John's alternate secrets and techniques on hand-carving bone nuts and bridge saddles, wiring and fretwork.

Larry McCabe's 101 Bad to the Bone Blues Guitar Rhythm Patterns PDF

With a minimal quantity of attempt, any starting guitarist can fast research rudimentary accompaniments to thousands of straightforward songs. challenge is, the relative ease of buying such simple talents frequently lulls one into fake trust that rhythm guitar taking part in is a constrained form of musical enjoyment. every one rhythm development during this booklet is predicated on both the C7 chord or the Cm chord.

Get The Clarinet in the Classical Period PDF

A accomplished research of the clarinet in use during the classical interval, 1760 to 1830, a interval of extensive musical experimentation. The publication offers an in depth evaluate and research of building, layout, fabrics, and makers of clarinets. Rice additionally explores how clarinet building and function perform constructed in tandem with the musical forms of the interval.

Additional resources for Afro-Cuban Grooves for Bass and Drums

Example text

C. G. C. G. C, / 2. (I). (I)- Thumb. The itself is idea how is Thumb. COThumb. same as in the scale. The problem which presents smooth over the jump between G and C. On the the to accompanying diagram FIG. 3. 3- Showing I attempt to show, by the small lines under- the 3rd finger placed with raised wrist for passage of thumb. ieath the notes, how the finger which falls just before the thumb (in this case it is the 3rd, on G) is raised from the wrist and inclined towards the direction to which the hand has to proceed.

Student, learn to evenly, clearly, play scales carefully, tunefully, and eventually quickly, and arpeggi and elegantly before embarking upon the performance exactly, rhythmically, smoothly, HOW TO PLAY THE 34 PIANO of the great works of pianoforte literature. Many cast up their eyes to Heaven in an inspired way while playing, hoping, I suppose, But Heaven thereby to make up for lack of practice on this earth cannot help them if they have not learned to play scales and arpeggi ! properly. B. compendium of scales, arpeggi, thirds and octaves given at the end of this book.

On no account should the pupil be allowed to lean back, but always be seated on the forward portion of his seat. The seat should be sufficiently raised so that the pupil's elbows at their FIG. 2. Showing cup-like position of the hand. natural angle will be almost on a level with the keyboard, if anything just a little below it as shown in Fig. I. The elbows should be held closely to the body, and the wrist dropped we come slightly below the keys. Being thus seated, the next matter to is settling the position of the hand itself.

Download PDF sample

Afro-Cuban Grooves for Bass and Drums by Lincoln Goines, Robby Ameen


by Edward
4.5

Rated 4.20 of 5 – based on 21 votes