Download PDF by Stephen Barber: Abandoned Images. Film and Film's End

By Stephen Barber

ISBN-10: 1861897200

ISBN-13: 9781861897206

Broadway street in downtown la comprises a unprecedented selection of twelve deserted movie palaces, all outfitted among 1910 and 1931. In such a lot towns world wide this kind of focus of unique cinema homes may were demolished lengthy ago—but in a urban whose id is inseparable from the movie undefined, the constructions have survived typically intact, a few of their interiors dilapidated and gutted and others remodeled and re-imagined as church buildings and nightclubs. Stephen Barber's deserted photographs takes us inside of those extraordinary constructions in an effort to comprehend the delivery and demise of movie as either a medium and a social event.

Due to the increase of electronic filmmaking and straight-to-DVD and on-demand distribution, the movie is almost immediately present process a means of profound transformation in either how video clips are made and the way they're watched. Barber explores what this implies for the cinematic adventure: Are video clips wasting a few crucial component to their identity...

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Additional info for Abandoned Images. Film and Film's End

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The memory of film remains so embedded within the nature of memory itself that the ‘lapsing’, shattering or disappearance of film constitutes a significant trauma of memory, within a contemporary era that predominantly formulates visual media of oblivion. Often, film has been charged with holding and displaying images of death – as in such documentary films as Africa Addio and Gimme Shelter – and of prefiguring terminal or apocalyptic events, as though film formed the supreme medium for the embodiment of definitive human endings.

Although it still possesses a formidable industrial presence, film, in many ways, has lost its unique status within the multiple media of corporations, and become an abandoned entity, formed of abandoned images. At the same time, film appears an ineradicable presence that vivifies memory, overhauls architecture, and engages in an intricate and intensive confrontation with the human eye. Film also holds its own approaches to sensory self-abandonment, and its particular, strategic formulations of ‘the end’.

1. Motion picture theaters – California – Los Angeles – History. 2. Motion picture theaters – California – Los Angeles – Remodeling for other use. 3. Motion picture audiences – Attitudes. 4. Motion pictures – Social aspects. I. 2’343’0905-dc22 eISBN: 9781861897206 CONTENTS Introduction PART 1 Film and The End PART 2 Abandoned Images PART 3 Abandoned Eyes PART 4 Film and Film’s End: Resuscitated Images REFERENCES ACKNOWLEDGEMENTS INTRODUCTION The nature and status of film are undergoing a profound transformation, which will undoubtedly lead to the perception of film itself being formulated in new ways, and to films being created or re-imagined with unprecedented aims.

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Abandoned Images. Film and Film's End by Stephen Barber


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